Brookline Lens: a New Student-Run Production House Serving the BHS Community

Brookline Lens: a New Student-Run Production House Serving the BHS Community

Brookline Lens CollageBrookline Lens, a BHS student-run photo and video production house, serves clients outside of Brookline High School, in addition to acceptingin-house project requests. The ultimate goal is for Brookline Lens students to graduate with a strong portfolio and resume highlighting advanced skills in photo and video design, project management and business communication. Launched in the 2019-20 school year, Brookline Lens is one of four new programs currently funded by a grant from the BHS Innovation Fund. The BHS Innovation Fund empowers the BHS faculty and community by fostering a culture of innovation and supporting the development of new ideas and initiatives that will enable our students to thrive in a rapidly changing world.

We caught up with the course leads Lori Lynn, a Visual Arts teacher, and Thato Mwosa, a TV Film and Documentary teacher, who share their insights into Brookline Lens this year, both before and after school closed in March due to the coronavirus pandemic.

How did you come up with Brookline Lens as an idea for an Innovation Fund course?

This course created itself. There was a demand for video and photography projects from entities inside and outside the BHS community. We were often approached with project requests and saw an opportunity for BHS students to do real work for real clients. We decided to turn the demand into a class because we needed time and space for students to focus on client work.

How does Brookline Lens differ from other Visual Arts courses?

Brookline Lens is different from other Visual Arts courses mainly because the projects are client-centered. Rather than creating artwork based on a student’s own personal expression, Brookline Lens students must use their creativity and organizational skills to fulfill the needs of others. This model allows students to learn meaningful communication and business skills that are not necessarily part of other Visual Arts courses.

How are community projects distributed to students and how do they manage their workload?

As requests come in from the community, we match projects to Brookline Lens students—taking into consideration skills and workload. In addition, students sometimes see a need within the community for a project and approach potential clients. Students must think about time management and can build a team for larger tasks. We schedule weekly meetings to discuss new job opportunities and the status of any current projects.

What are the opportunities and challenges of this course?

Brookline Lens students must communicate with clients and colleagues in a professional and timely manner, create work that reaches a level of quality expected and respect all deadlines. Students are challenged to always meet the level of professionalism required to complete designs for real clients. These skills are new and challenging for students, but they provide a fantastic opportunity to gain real-world experience and build essential professional skills.

How do you guide and support Brookline Lens students?

As facilitators, we guide students to create work that falls under their expertise, but we also encourage students to try projects that are out of their comfort zone. We work together with students to facilitate the business elements of the course, to inspire individuals to take leadership in groups and with clients and to evaluate performance.

Have students pivoted any projects in response to Coronavirus?

We have a year-long Public Service Campaign that focuses on Mental Health Awareness. When COVID-19 hit our community, we decided to shift gears to create content that still tackles mental health, but with the pandemic in mind. We hope to share those PSAs with the community upon completion. We added a Coronavirus link on the Brookline Lens website. This is space to display both PSAs about how to flatten the curve, and to show off the personal work students have produced during their time at home. The creation of art never stops, even when everyone is separated.

How has teaching remotely impacted Brookline Lens?

One of the big projects our Brookline Lens students were working on was a “Math Video Series” to promote a love of math in middle school. The project was in a pre-production phase and filming had not yet begun when we transitioned to remote learning. The project had to be put on hold, and we are hoping to resume when school opens in the fall. We do have some projects that students are still working on for clients, however. In addition to the COVID-19 PSA, our students just received an opportunity to complete a video for the Brookline Commission for Women.

Please visit brooklinelens.wixsite.com/brooklinelens for more insight into the Brookline Lens team, the students and the projects.

 

An Update from the Chair of our Board of Directors, Ellen Rizika

An Update from the Chair of our Board of Directors, Ellen Rizika

Dear BHS Parents, Caregivers and Community Members,

Ellen Rizika, Chair of the Board of Directors, the BHS Innovation Fund

I hope this message finds you and your loved ones safe and well. I am writing to provide an update on the BHS Innovation Fund and how we as an organization are working to support BHS leadership, faculty and students during this uncertain time. With the coronavirus pandemic, the last month has brought unprecedented change to our world, both globally and locally. All of us have been impacted in some way by this public health crisis, and many are experiencing challenges that we never thought we’d be facing.

As a parent of two high schoolers and a college student, and a daughter of aging parents, I imagine that I’m not alone in my efforts to keep everyone safe, happy and fed. Yet, in my role as the Chair of the Board of Directors for the BHS Innovation Fund, a nonprofit organization within the high school, I am buoyed by the momentum I see in the BHS community as we all navigate towards a “new normal” at the high school.

At the Innovation Fund, our 2019-2020 funded Program Faculty have also been hard at work adapting their curriculum goals and lessons for online learning:

Our Innovation Fellow, Roger Grande, continues to build a culture of climate sustainability at BHS, by promoting many Earth Day activities and lessons for the community via email and on his GraduateGreen webpage. In addition, Roger is offering timely activities focusing on “pathways out of a pandemic” through his Global Leadership class as well as interviews with leading speakers on important topics including:

  • a scientific understanding of the pandemic (Jonathan Lambert, Science News);
  • historical perspective (Dr. Johanna Daily, MD, MS, Infectious Disease Specialist);
  • taking action (Juliette Kayyem, Assistant Secretary for Intergovernmental Affairs for Homeland Security in the Obama Administration and Belfer Senior Lecturer in International Security at the Harvard Kennedy School); and
  • building empathy for marginalized groups (Brooke Bischoff, JD, Attorney, Las Americas Immigrant Advocacy Center and Burt Pusch, Disability Rights Advocate).

In Experiential Physics for Ninth Grade, teachers are introducing new content on sources of energy around the world, combining the specific physics concepts already taught with a broader discussion of the environmental and health implications of different energy sources.

In Brookline Lens, students are researching COVID-19 PSA Campaigns and then they will write a compare and contrast analysis between two PSAs (print or video) they find online. They will also write and create their own COVID-19 campaign, which may be submitted for statewide competition.

In Hub, teachers connected to ninth grade students remotely to share ideas about how they could replicate some elements of their “circle” practices from Hub with their family members up-close or at-a-distance. These focused on mindfulness and breathing exercises and “rounds” of questions, discussions and personal reflections.

In keeping with our mission to foster a culture of academic innovation at BHS, we at the Innovation Fund are discussing how we can support both teachers and students to address the educational impact of COVID-19. We are asking,

  • “What does academic innovation look like in a new educational environment?”
  • “How can we best support BHS teachers with new funding opportunities for out-of-the-box ideas?”
  • “How can our work support BHS students as they adjust to new learning challenges?”
  • “What else might be on the horizon and how can we respond?”

I look forward to providing an update and sharing more information with you as we solidify our program plans.

Wishing you all good health at home,
Ellen Rizika, P ‘22
Chair, BHS Innovation Fund Board of Directors

New course plans holistic approach to teaching climate change

New course plans holistic approach to teaching climate change

The+new+Climate+Science+and+Social+Change+course+will+combine+both+the+social+justice+and+science+aspects+of+climate+change.+

One of the most currently relevant issues is climate change. While classes have previously addressed this issue scientifically, they have neglected the other half of the story.

The new course “Climate Science and Social Change” is a unique approach to the ever-more relevant topic of climate change. If approved by the Innovation Fund, it will merge science with social, political and economic perspectives. Roger Grande, who proposed the course alongside Briana Brown, believes that students will be more empowered to respond to these climate threats with the experience they will receive in this course.

According to Grande, Climate Science and Social Change will spend the first semester of the year discussing the fundamentals of climate science. Students will study how the earth is changing and why these shifts are taking place. Grande also said the second half of the course will look at climate change from a social perspective. For example, students will look at case studies and think about innovative ways to address the impacts of our changing climate.

Grande explained that Climate Science and Social Change will spend time focusing on how the climate crisis is being addressed in the media.

“The course would look at how people discuss climate change, truth, objectivity, news and newsmakers,” Grande said. “We’re really focusing on information literacy, arming students with some of the skills needed to decipher the things they’re hearing and to understand what is true and what is not.”

This new course will also have students think about innovative ways to approach climate change. By looking at case studies, students will be able to examine the effect climate change has on various groups of people.

“We will look at a lot of issues around racial equity, class equity and just equity around the world. Who suffers the most? Who will suffer the most? Who will be most impacted, in contrast to who are the largest consumers of fossil fuels?” Grande said.

Brown, who (pending funding) will teach this class side by side with Grande, said it is important to learn the societal impacts of climate change as well as the impacts it will have on the environment.

“I think it’s important to really emphasize that this is not just a science problem. This is an everything problem and every aspect of society is going to be impacted by climate change: food production, where people can live, migration issues, etc. You can’t look at science in isolation,” Brown said.

Without enough institutional support surrounding our ecological crisis, Grande looks at Climate Science and Social Change as a fundamental step in preparing students to apply what they learn in his class to their lives outside of BHS.

“I’m a little bit stunned that there has been zero messaging from school leadership to begin getting students to think about how they’re going to thrive, financially, emotionally and socially in the future,” Grande said. “We give students skills to prepare for work, to prepare for college, but the largest existential phenomena of probably human existence is before us and we have decided to not address that.”

Students, as well as teachers, believe in the importance of learning the social effects of our current climate crisis. Junior Niovi Rahme believes that the Climate Science and Social Change course will be an effective approach to addressing this issue.

“I think learning about the social and societal aspect of climate change makes it completely different from any science classes we have,” Rahme said. “It makes it easier to know what’s truly going on in our world today and to prepare us for the future of fighting a climate battle.”

Junior Kira Wu-Hacohen first heard about the Climate Science and Social Change course when Grande pitched it to her social justice class. She hopes to take advantage of this educational opportunity next year.

“Right now I don’t really know what I can do and what difference it will make. Climate change is something that affects everyone in this school and everyone on this planet. We have to learn the consequences of our actions,” Wu-Hacohen said.

According to Brown, the impacts of climate change will accelerate in the coming decades. By studying climate change from new perspectives, students will come out of the class with a well-rounded understanding of the world they will live in and how they can change it.

“I hope to leave this class with a new, reformed understanding of climate change, how it is affecting different people and cultures around the globe and what we can do to help,” Rahme said. “It’s important to be educated about this because it’s something we will have to deal with our entire lives, so we might as well be knowledgeable about it and understand what’s truly going on.”

Elsie McKendry, Staff Writer|April 10, 2020

GRAPHIC BY ELSIE MCKENDRY

Q&A: Drawing for Understanding in Field Science

Q&A: Drawing for Understanding in Field Science

BHS Visual Arts teacher Donna Sartanowicz describes the evolution of the Innovation Fund Class, “Drawing for Understanding in Field Science.”

Drawing for Understanding in Field Science at the Arboretum 01 - © Sander SorokHow did you come up with the idea for the course?
It came from a workshop that Jill Sifantus, a since retired biology teacher at BHS, and I attended at Harvard University. The workshop focused on the very close relationship between art and science at the advent of serious scientific study of the natural world. Drawing was a routine part of studying the natural world for communicating ideas and discoveries.

What was the goal?
From our different vantage points — Jill, in the science department and I in visual arts — both came away thinking that this very old school idea would be a great new way to engage students in learning both subjects. Students learn in different ways and drawing is another system — just like language or mathematics — that they can use to learn information and express understanding.

Can you describe the Innovation Fund’s role in developing and expanding the course?
We were fortunate to have this idea while teaching at Brookline High School because of The Innovation Fund, which allowed us to put our idea into practice. The Fund’s review board was instrumental in helping us to hone our idea and think through all the possibilities. The grant money allowed us to teach and learn collaboratively for three years and this was some of the best professional development I have ever experienced. Working with Jill to integrate science teaching into the way I teach art enabled me to confidently teach this course on my own once the grant period was over.

This partnership opportunity resulted in a course so unique to our school that teachers from other schools have asked to visit and learn about this program, so they might propose something similar for their students. The ripple effects of the Fund’s generosity in supporting innovative educational ideas is spreading even beyond the walls of Brookline High School.

Drawing for Understanding in Field Science at the Arboretum 16 - © Sander SorokWhat happened after the three-year funding period ended?

After the funding period was over, the school picked up the class but did not keep it as a co-taught class. Since Jill was much closer to retirement than I was, it seemed better for me to continue the class solo. Although the three years of the grant were like “biology boot camp” for me (I hadn’t taken bio since high school) I decided that to keep up the rigor of the science end of the class, I would invite scientists into my classroom.

I had taken a project-based learning workshop a few years ago that stressed real-world questions and connecting with the professional community for launching, guiding, and giving feedback to students. In that first year after the grant, I did a lot of work setting up partnerships with institutions like the Arnold Arboretum, the Blue Hills Trailside Museum, the Harvard Museum of Natural History, and graduate programs at Boston University, Rhode Island School of Design, Harvard University and Tufts University.

Drawing for Understanding in Field Science at the Arboretum 11 - © Sander SorokHow has the partnership with community organizations benefited the course?
The institutions allow my students to have experiences with the natural world and to hear about people working in the field as naturalists, curators, educators, illustrators, and researchers. Though the universities I have connected with graduate researchers who present their research and talk to my students about what it is like to study and travel the world as part of their research. So much of what students learn about in regular science classes is second-hand information from books. Having the researchers come in helps students to understand that science is not a fixed set of information — that there is still more to be investigated and understood and that they could be a part of that.

In its sixth year, the class seems to have a great reputation. What’s happening now?
I have presented this course as a visiting speaker in the art education department at Boston University last year and will do so again this year. I have also presented this work, for the second time, at the National Art Education Association Conference this year. I continue to meet individually and informally with both art and science teachers from other schools/districts wanting to start a similar course.

Many in the education field talk about interdisciplinary and STEAM [science, technology, engineering, art, and math] classes but few receive the kind of support we got from the Innovation Fund to make it happen. The impact on students has been tremendous, as evidenced by the continued popularity of the course and students recommending it to other students.

Interview by Jennifer B. Wells

Interview with Superintendent Andrew Bott

Jessica Eber: As a high school parent, I’m most interested in hearing you talk about your vision for BHS. I’d like to start by asking you to describe it.

Andrew Bott: The Education Plan for the high school spelled out a vision for BHS through a couple of different lenses. First we identified the things that are working really well at the high school, and looked at how we could maintain that level of success as the school continues to grow. Then we asked: What are areas in the high school that are not working really well for everyone? Who are the students who aren’t connected with the school? Where do we have outcomes for students that are not equitable — students taking AP classes, for example — and how do we grow in a way that increases both access and successful outcomes, and do that as the high school is growing?

One way is by making sure that, as the school grows from an enrollment of 2000 to one of 2700, we create a small-school feel, so that students are connected. We’re looking for opportunities to create what Anthony [Meyer] calls “havens” — like SWS, for example. We’re looking for other ways to create the kind of community that SWS creates. Is there perhaps a Global Leadership pathway? This is actually a perfect example of the impact of the 21st Century Fund, since Global Leadership started as a 21st Century Fund course and is very much on a trajectory to become a pathway within the high school, where a cohort of students with a shared interest can become connected with that particular area of interest.

Another really important piece of the Education Plan concerns providing more opportunities for interdisciplinary, project-based learning. And again, I don’t bring this up just because we’re here talking about the 21st Century Fund, but there have been some really incredible examples of interdisciplinary courses launched by the Fund that have become part of the curriculum. And so you start thinking about how to create these interdisciplinary, cross-curricular connections and opportunities for students, and then you need to figure out: what do we need, physically — what spaces do we need — to support teacher preparation, student work, etc. The Educational Plan really ties all of it together. It’s about identifying the traditional silos. Where is it that we need to head in math, in science, in social studies, world languages, the arts? And what are the ways that they’re interconnected? What’s the matrix? Think of the DNA double helix, where it’s all coming together in that interconnected way. And how do we support that as a high school?

I will say one last thing. I think that the courses for next year that have been vetted and are now in the course catalog are a great example of a first step in implementing our vision before the building project is even decided upon. Because this is what we believe is good for the high school. We need to start doing that work now. So we’re adding new coding classes and starting to think about how to integrate the skills and learning connected to coding within the math disciplines. We’ve also added a new history class (Human Geography, a fascinating AP class) and the new engineering and design class [Engineering Innovation and Design]. They’re a real first step in moving toward that vision. And what’s really amazing about the new engineering class is that the department has designed it sort of like an AP course in terms of class time and planning time, but there are multiple pathways into the course. Students may come from an engineering class, or it may be an art class as a prerequisite, or a math class … I think that’s a really important way to think about our course offerings, so each course doesn’t just have one way in.

Think about Global Studies. It may be that a student is really interested in taking a course and learning more about Global Studies. Well, there are a lot of courses already offered at the high school that are a part of Global Studies. As so, if we start identifying those courses for students, we can create a pathway within the existing structure. We want to be identifying those havens — those spheres of interest. Of course students need to be able to move among the spheres. We certainly never expect a ninth-grader to know exactly what he or she wants to do.

I think the Education Plan is fantastic. For folks who want to learn more about it, I would say that the Executive Summary — the first five or six pages, really captures the vision very powerfully.

JE: I was planning to ask you about the role of innovation in education, but it seems like a lot of it is described pretty clearly in the Executive Summary, where it talks about the goal of engaging students more and encouraging cross-disciplinary collaboration. Can you talk about what some of the challenges are in introducing innovation into the public schools? I imagine budget is one very big constraint. I was particularly interested in your recent email regarding the fact that more hiring needs to happen to keep up with growth, and that cuts need to be made to counterbalance that increased spending.

AB: You know, it’s budget and space challenges. You can’t continually add courses, so we assumed, for example, in adding Human Geography, which is an AP class, that fewer students are going to take one of the other AP history classes. So we are assuming that we will see a shift of students, and sometimes you have to take that risk in adding a course and trying something that is innovative. Then there’s the cost. We have to think about how are we’re adding courses and what are the budget implications. And the other challenge that’s very real for Brookline is space. When you’re talking about cross-disciplinary classes: Where do they meet? How do they meet? Our classrooms all work, but they’re small by today’s standards, certainly for cross-curricular work. If you are engaged in a design project, how do you leave all of your design work out until the next day? Where’s the space for that? Part of the design process is, you can’t clean it up. The messiness needs to stay as your team is problem-solving. And there’s a similar challenge in elementary schools, as we think about how to create makerspaces and interdisciplinary learning spaces in schools that have huge facilities constraints. It’s hard. That’s the most challenging thing. The will to innovate is huge in Brookline. The educators here have been incredible in their drive to innovate, their creativity and passion to try new things. It’s not the desire; it’s how to support it, financially and physically.

JE: And so how does the 21st Century Fund fit into the overall plan?

AB: Well, it’s a way to vet ideas. At my first meeting with the Fund I saw the large number of classes and initiatives over the years that have been funded. Some of them have become institutionalized and have been transformative in the high school, and some of them didn’t. But even when a class doesn’t become part of the curriculum, the learning that results from having tried it informs something else. The Fund provides that additional bit of flex through the funds, the dollars, that are available in support of innovation. It allows BHS to try things. And as they are being tried, the Fund helps us understand the impact so that we can decide whether this is something that should continue for the long-term or something that discontinues, but has helped us understand XY and Z. It’s an incredibly powerful and important partnership.

JE: I wonder if you can speak to the question of how what we’re doing here in Brookline to support innovation compares to what’s happening in other towns?

AB: I think that there’s a real tradition in Brookline of innovation coming out of individual schools. What Brookline has, which is in place in some but not all communities, is a very strong team of curriculum coordinators. Our elementary history coordinator, for example, works incredibly closely with educators throughout the system so that there’s an understanding of and common expectation for what students are learning in Brookline at a given time. So for example second graders throughout Brookline have a unit on Ghana. But there’s some flexibility, so within that a teacher can say, “Well, could we try this?” There’s a school that does an artist study as a part of the nonfiction reading and writing component of the Ghana unit. They started it many years ago, and it has become ingrained in the faculty of the school. So I think that’s one way in Brookline that we support innovation. And the 21st Century Fund is a great example of that at the high school. People can have an idea and get support for it. That kind of thing is not necessarily embraced in every community.

JE: I know there has been some controversy about the idea of raising private funds for public schools, which is of course exactly what the 21st Century Fund does. What do you think about it?

AB: It’s a balance. You want to make sure that the money has an equitable impact within the schools. That’s where the School Committee weighs in. I think that private funding can be very supportive. There are many examples of how it has effectively, and in important ways, impacted BHS over the years. Private funding from the 21st Century Fund has impacted educators, students and families in very positive ways. So yes, there is a really important place for private fundraising, but the key is to make sure that it has an equitable impact.

JE: How exactly does a course get approved for funding by the 21st Century Fund? Does the School Committee review teacher proposals?

AB: Ultimately, yes. Nothing goes into the course catalog until the School Committee says it’s OK. It’s really the fiduciary responsibility of the School Committee to say whether a particular course is going to be funded.

Elizabeth Zachos, 21st Century Fund Board Chair, explains the funding process:

The proposal goes from the teacher to the curriculum coordinator to Anthony [Meyer, BHS Headmaster] and the Fund at the same time. Simultaneously, but not talking about it with each other, Anthony and his administration figure out if they think it will work. If the Fund’s Program Committee also thinks it will work, it goes to the Curriculum Subcommittee of the School Committee.

Click here to read more about how the 21st Century Fund supports innovation at BHS.

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